UFOdc.com is a Professional Research and Production organization.
Our associates include esteemed Astronauts, NASA Scientist, Dr. Edgar Mitchell and others. Using Nikon advanced terrestrial
scan technology to analyze the skies, I am able to see what the human eye does not. Capturing a fraction of a second sequentially,
in a series of frames, using high definition optical technology to forensically show the validity of each documented sample.
UFOdc.com YouTube channel, has video analysis and supportive data relative to each sample, if applicable. If there are UFO's, I
will find them. We will come too You. Let us capture your UFOs! Contact us: UFOdc@aol.com
My Big Redneck Vacation UFOdc.com
Origins of the anomalies, unknown however; this should give you a general idea? HUBBLE
Extracted Color Texture Bitmap Applications Includes newly developed PLASMOID Colors 2009*
UFO Color Gradients : Extraterrestrial Color Texture Bitmaps
Color Texture Bitmap samples extracted from HD UFO image files*
Painted in UFO Colors ETCTBmp (Extraterrestrial Color Texture Bitmaps) J-4 Pulse*. HD Environment
UFO Colors are the products of image analysis, on each of the anomalies I captured
over the years. In the analysis, I created a gradient library of color textures all extracted
from exceptional image files (the best). Used in place of conventional Swatch color
technology, UFO Colors ETCTBmp, Extraterrestrial Color Texture Bitmaps, apply to
all image rendering software (3dsmax, Maya, Z-Brush, Combustion), and any and all programs
which use color Swatch technology for the creative color palate. There are no colors like this
on Earth, and because of their unusual color spectral characteristics, they are copy protected by
design. If you use them, I will know. My legal department will be glad to assist
in Licensing the applications too you. US Copyright/Patent: Wilbur G. Allen. A link too
© US Copyright office is provided below (Legal notice) The overall translation of these
colors, varies with media* (Film/Digital)
© VAu000621288 WG Allen 2004/2009 The basis of UFO Color Technology
UFO Extraction Color Texture Bitmaps (Static and Motion Applications Textures). All texture applications apply too
3D objects in place of conventional Swatch colors. Sampled UFO extracted color bitmaps, generated in RGBCMY color
3D Starship Voyager* with Plasmoid and J-4 Colors applied, for Demonstration purposes only in applications
of ETCTBmp UFO Colors © WG Allen 2004/2011 :NGM UFO ETCTBmp. Using sampled bitmaps from UFO objects
imaged to film and digital, these sampled RGBCMY color texture applications are applied in place of standard color
swatches. Generally, virtual lighting is applied to each area requiring highlighting. The visual effects are hinged upon
supplemental program additives. (Virtual lighting and particle effects)*
Painted in UFO Colors ETCTBmp (Extraterrestrial Color Texture Bitmaps)
Replacing the conventional Swatch colors with ETCTBmp UFO color extracts, Voyager has now an electrified look.
With elements of all UFOs captured by UFOdc.com, the color texture palette for 3D has taken a new turn in the applications
of assimilated alien technology (UFO COlors). I am a Master Scale RC Builder & Pilot
Voyager ETCTBmp applied
Voyager Class M Planet
Enterprise NG with UFO Plasmoid Extraction colors
Painted in UFO Colors ETCTBmp (Extraterrestrial Color Texture Bitmaps)
Replacing the conventional Swatch colors with ETCTBmp UFO color extracts, Enterprise NG has now an electrified look.
Enterprise NG 3D application
Plasmoid Colors © WGA UFOdc.com 2004-2009
* Voyager is Trademark Paramount Pictures
Enterprise (model with electrical system: LED lighting 1990*) I am a Master Scale RC Builder & Pilot
Autodesk HD Digital Compositing Technology used in creating environment for physical model starship, too film.
However; I'm looking at newer 3D compositing technology called MotionArtist 4. Due to changes in OS technology
and resolution (64 Bit), 3D rendering technologies have made significant progress in creating more realistic 3D visual
applications. Before 3D compositing were film effects created onto existing film footage, to simulate visual effects. i.e.:
Matte Photography. For composite technology I now use AVID Media Composer with Boris FX BCC
i am a Master scale RC model maker
A newer form of Matte Photography, now called 3D Compositing. Visual effects rendered in HD Digital, however;
introduced into a high definition "film" environments, have different visual effects as those rendered in HD Digital
environments. Visual effects in HD digital using high resolution film technology verses HD digital. Though the 3D
object is digitally generated, it translates extremely well in an analog environment . I'm now using Motion Pictures
Standards HD Video at a NASA level. My current level of technology allows for the creation of imagery in extreme
lighting environments. (204800 ISO or Full Color Night Vision). The technology exceeds these samples
UFO Sedona Arizona 4-07-2013 102400 ISO video. Though the sample looks daylight, its 04:30 AM. Video frame
extractions in HD, are used in 70% of the samples in this study. I have converted to video exclusively, in the
documentation of UFO events. My video documentation setting the standards in UFO Research
The Worlds First UFO Extracted Colors Applications (Static/Motion) for
Motion Pictures Special Effects and 3D Game Development
US Copyright/Patent Registered Intellectual Properties*
(Limited animation using extracted UFO Bitmaps to 3-D)
Merging HD 3D objects into HD digital (Hubble image sample/NASA), 3D visual effects have evolved considerably
with higher resolution 64 bit operating systems, currently used. The luminous qualities are generally associated to
virtual lighting, geographically placed within the scene. The basis of authenticity within a 3D animation is predicated
on lighting. In this sample, the upper half the saucer is lighted from above it. The lighting variables in the 3D
environment are visually consistent with the bitmap generated from Hubble (digital environment)
UFO Colors J-4 Applied to HD 3D in HD digital environment. HD video is animated with a matched resolution 3D
object. The effects based on color (bitmaps) and lighting, in this sample, the sauce is painted with sampled UFO
bitmaps and a RMOS 3D film texture. 3D objects require swatch bitmap colors. In this case the bitmaps are
The creation of UFO Extraction Bitmap colors which maintain the spectral luminosity of the UFO they were
extracted from. There are no colors like this on Earth, by design (UFO Extraction Colors). The samples are extracted
and saved in static (non motion) and Motion HD Modulator Color* Bitmaps designed for 3D Motion Pictures Special Effects
and 3D Game Development. UFOdc.com is the only source for these Registered Intellectual Properties Colors.
© VAu000621288 WG Allen 2004. Though breached by a "stolen" Getty Images Portfolio,
tracking the effects of my colors is No Problem. Each color has a specific Identifying signature*, you cannot steal
or augment these samples. You will be caught, and I will prosecute you. You have been warned*
UFOdc.com: My Big Redneck Vacation on CMT
CMT's My Big Redneck Vacation: "Shootin' Yur Aylien Frenz Wellber?" (Click on image)
My Big Redneck Vacation Welber the UFO expert.
Advanced imaging and editing systems, motion pictures standards video/film production. A Nikon/AVID based production
in HD standards based on Feature Motion Pictures.
High quality feature films under minimalist operating conditions. We use minimal lighting, reducing heat and energy
by 90%, while capturing true to life visual conditions in our films using Nikon Video/AVID technology.
Imaging in native conditions, without supplemental lighting, footage for films
Nocturnal Steadicam technology
70% of the area I scanned in Shreveport was abandoned. It was reminiscent of Chicago which is also in despair.
A very unusual sample, an abandoned building, yet in one apartment, a TV set is on? I have 5 frames all showing
the same anomaly in each frame.
Those that I encountered were consummately kind, though surrounded in despair. God Bless You All!
Shreveport LA 2012. We can film under any and all conditions, from the harsh deserts of AREA 51 too Sedona AZ,
in absolute darkness. Our imaging technology can facilitate perfect results under any lighting conditions and
circumstances. High Definition Motion Pictures Production in existing light.
Sedona Expedition 2012:
Moon lighted terrestrial scan Sedona
Terrestrial scan Sedona 2
Moon lighted scan in Sedona, at about 04:30 AM.
CBS News Washington, News anchor Derek McGinty and Reporter Ko Im, on UFOdc.com's assessment of a FBI document
released on a 1950 UFO crash involving 3 flying saucers.
Continue to UFO Colors
© VAu000621288 WG Allen 2004.
Texture maps consist of multiple gradient samples RGBCMY (Static and Motion) applications files*
HD Visual Effects (Film)/HD Digital
Scale PT Boat with 4 stroke engine, scale exhaust, and an innovation in naval technology: "Water Brakes"
Concept: Good & Evil, 2D applied too 3D composites
3D Composite technology (Autodesk Combustion HD) Bryce environmental effects
35 mm film images rendered in HD 1080, High Definition Visual Effects (Analog bank) 35 mm film is a thing of the Past.
HD 64 Bit Digital Audio Engineering & Production. HD ProTools 64 Bit/Avid Technology
NIKON Motion PIcture Quality HD Video/7.1 DTS Surround Sound Processing/Avid Technology
We have upgraded the facilities within the Avid family. UFOdc.com is now Avid Media Composer 6.5
From HD Nikon Film to HD Nikon Digital: UFOdc.com:
Please be considerate when posting mindless comments: I am contracted too National Geographic
QuickExplore Wilbur Allen To have your work sold by NGM, you must have a contract. The NGM
MyShot pages are inclusive to my contract.
http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/898273/ The MyShot galleries are professional
platforms. Yes anybody can have one, however; not everybody gets a contract. My work is contracted*. Please
spare me the mindless BS and truly negative comments which are posted due too ignorance.
Those that post comments related to photography, are clueless how its done.
A Bee in AREA 51, while filming close ups on flowers in Rachel, a bee flies into the image frame. I fired 23 rapid
frames of this spur of the moment event.
A Bee in AREA 51 frame 2 of 10 taken suddenly while imaging flowers in Nevada
HD Digital Photography. These are public NGM pages which "anybody" can join and submit imagery.
Large Format HD Digital. These are public NGM pages which "anybody" can join and submit imagery.
National Geographic Stock Photography. QuickExplore: Wilbur Allen
This page is not public, and contracted to National Geographic Photographers
I noticed the negative responses to my work on "Above Top Secrets" website. Most Morons talk before they "Think" or lack of?
"Its absolutely hilarious to read the stupidity of people that claim to know the answers to that which is unknown". WG
35 mm Film to Digital HD (Ultra HD)
MIles Davis on National Geographic: QuickExplore: Wilbur Allen
Not everybody can have one of these pages! You must be Contracted to National Geographic too obtain one! Try to get
Contracted? I then question the motive behind personal attacks, while overlooking the lack of credibility from those that post
such crap! This is my website and my work. I have materials to post. Those that comment, have none nor do they understand
the concepts and principles of photography. I have work on the market, and have had work on the market in publications,
beginning in 1979 with the recording artists album: Silver Platinum & Gold (Motown Records). My work is out there and so are
my credentials. This is about my work and thoughts. These are my Clients
Miles Davis: Blow 15 Years of Miles Davis Electric e-Book
Dizzy Gillespie: DIzzy @ 8 Pm e-Book
I am an expert in my fields of endeavor. My film samples are the results of film processing inventions,
primarily RMOS (Reversed Microptics) Optical Technology, 1980*. RMOS generated non computer graphics
The registered copyright has been violated in the UK, with an unauthorized reproduction of stolen RMOS
products. materials registered under US Copyright protection. Violation of US Copyright VAu000034841
The link associated to this forgery on the Internet has been removed. They now post infected malicious\
destructive virus data in place of the incriminating evidence, where this crime takes place (Internet). However
The physical evidence just in the creation of this CD, with an embedded profile. Digital usage without
authority, rape at the intellectual level; without regard for US Copyright Registration. For this to happen
in the United Kingdom, an allied country to the United States meant the involvement of International Law
Enforcement: Interpol/and domestic FBI Cybercrimes Agencies.
The HD Remaster is superior too the Expansion Records Bootleg both acoustically and
in the HD regeneration of the original concept stolen in 1982 by Bridge Records*
I am the owner of this product
My product sounds as great as it looks!
The Valentine Brothers: First Take (HD)
The Valentine Brothers: First Take (HD) iTunes iTunes Top Albums
Stolen RMOS byproducts, of which I own. © VAu000034841
Expansion Records:UK. I question the validity of this company's actions and suggest avoiding at all cost.
Barcode associated to this unauthorized reproduction has been registered by US Customs/FBI-Interpol Cybercrimes task force.
US Congress is currently revising Legislation on Enforcement of Intellectual Properties in allied countries. The United Kingdom
abides by rules governing Intellectual Property as mandated by Intellectual Property Laws of the US Congress. © WG Allen 1982 or so I thought?
The Lunesta Butterfly: Unauthorized usage of Registered Intellectual Property (Color Texture Application)
Ron Cartier & The Persuaders Live produced and recorded by WG Allen using ProTools Technology*
Rest in Peace Dear Friend..
Brazilian Jazz: Rose Moraes and Roots of Brazil, Digitally recorded and produced by UFO Records: WG Allen
HD digital live recording: Full digital IMAX format video and camera front element recorder (house feed), mixed with the
stage audio feed, recorded in ProTools 9.5 (64 Bit). The summation of all the HD recorders is mixed in ProTools. The
audio mix is edited back onto the video in Media Composer 6.3.
Rose Moraes and Roots of Brazil (Please play in 1080 Mode) Sector recording technology applies the recorded product
of several strategically placed stereo digital recorders, mixed in sync, in 64 Bit HD ProTools. Rose Moraes and Roots of
Brazil Produced Rose Moraes and WG Allen. Full Digital D.D.D (Digital recording/editing/ mastering) in 64 Bit HD. Click
on Image to play video. UFOdc.com is a professionally trained (ABC/CNN/CBS News) field production unit. My credits
include: The White House/Air Force One Engineering (Contractor: ABC News) Please see below..
HD 1080 Nikon Technology
NIKON Digital SLR's Nikon Film samples
Reggae AllStars 2009
Capelton Live in DC 2009
Jovi Rockwell is awesome!
The Best of Mr. Flash Gordon
Diki Spliff and Spliff Productions: UFO Records Premiere Reggae Artist
Shorty Corleone & Rare Essence : THE HEAT (AMAZON/iTunes- iTunes TOP Albums*)
Good To Go : Trouble Funk: Drop The Bomb
The Short Fuse/Good To Go Digital Restoration Project. Short Fuse was originally filmed in 35 mm motion picture film
Eastman 5247 Motion Picture Stick. I was the Consultant to the Director of Photography (DP) for this film. My lab processed
Micro (Still reference files, using match camera exposure data, to emulate the 35 mm motion picture camera footage). This
Low cost film daily method, proved instrumental in the overall creation of this Island/Warner Brothers Film.
The Maxx Kidd story, the man who promoted DC Go-Go Music too an International level. Reformatting the film
a restoration process, which required AVID Media Composer 64 Bit editing technology. Using the original 24 track
2" audio masters, which were transferred to ProTools at Omega Studios, in Bethesda Maryland
All 2 inch and 1 inch audio transfers to ProTools 7 were performed at Omega Studios. ProTools 7 files mastered in
ProTools 64 Bit 9.5/10 audio processing technology, and reintroduced into the the motion picture stream, in
Media Composer 6.3, 64 Bit video editing technology8
Good To Go @ AVID.com
Harris Yulin, and Art Garfunkel in a Good Cop gone bad (Harris Yulin), tries to intimidate Art Garfunkel (drunken out of beat Reporter)
Segment editing: Taking from the original film transfer (analog), and editing in AVID Media Composer 6.3, each scene
is corrected using Media Composer Color Correction Harris Yulin, and Art Garfunkel in the Wrecking Crew death sequence.
Harris Yulin, and Art Garfunkel
Taking the Omega Studio transfers from the original 2 inch 24 track, 1 inch 16 track, and 1/4 inch Studio Masters into
ProTools 7 (At time of transfer a few years ago), opening the ProTools 7 files into ProTools 64 Bit 9.5-10, and processing
them in the HD format into AVID Media Composer 6.3, 64 Bit video editing technology
Using the original film soundtrack, and layering into the audio stream, sound effects from the Electra Sound Effects
Library, Volumes 1-3, and the SONY Films Sound Effects library, sound effects are layered into newly created audio
tracks. The film audio track is mixdown with the newly placed sound effects, into a new 7.1 DTS Digital track.
Feature Film Restoration and enhancement
NATIONAL GEOGRAPHIC Magazine.com http://ngm.nationalgeographic.com/myshot/gallery/26800
Special Effects for Motion Pictures and Game Development
Mike Pataki (My Mentor and friend) Rest in Peace:
Korax Klingon Commander (Star Trek with William Shatner and Leonard Nemoy)
"Trouble with Tribbles" I have had some Excellent Friends!
Karnas (Star Trek Next Generation)
Wilbur G. Allen: NABET Group 7 TOC Engineer.
I worked with the following U.S. Presidents for ABC News:
President Ronald Reagan
Image by Harry Langdon
Ronald Reagan: President of the United States
George H. Bush: President of the United States
William Clinton: President of the United States
They also serve as references. Please supply me with yours when posting comments
http://community.avid.com/media/all/default.aspx?Sort=Views Number 1 @ AVID.com
AVID.com most Viewed Videos
AutoDesk 3D and Analysis
http://ngm.nationalgeographic.com/myshot/gallery/26800 The first ever UFO documentation on
National Geographic Magazine.
Thank You: Billy Booth: http://www.ufocasebook.com/2009b/washingtondc111108.html
Budd Hopkins: http://www.intrudersfoundation.org/
Leslie Kean; http://www.jerrypippin.com/UFO_Files_leslie_kean.htm
Rob Simone: http://www.robsimone.com/
Rob; Thank You for your friendship and efforts in my cause: Wilbur Allen/UFOdc.com*
Major George Filer: http://www.nationalufocenter.com/
On air: www.NightVisionProductions.com 8 PM Pacific (11 eastern) on Wednesday Nov 11
It was a great show, and I was asked too return.
Mr. Dick Gregory whom is a very well Respected friend and advisor http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/289680/
Dr. Bruce Maccabee
My Dad: (In Vietnam) http://ngm.nationalgeographic.com/myshot/gallery/26800#/gallery/289109/ (Agent Orange 2002)
Rest in Peace: Donna Marie Wells HUMSC
DOD, UFO Films has its establishing roots in the
US Air Force. I lived on Military Bases most of my life*.
These bases were in allied countries.
DOD Wagner HS, Clark AFB, PI. http://www.whoa.org/
Uplate: Nikon World Magazine* and NV Technology Invented by WG Allen
This is film and HD Digital at its best,
however; chemically engineered
UFO Films, experts in low Ev. HD and creative imagery on film. It is
unfortunate that digital does not have the flexibility in exposure analysis and
image latitude as film under controlled chemical conditions. 6-12,800 ISO (25600 ISO HD 1080 Digital)
are conditions in which usable imagery in extreme low (virtually no) light
environments. If there is a glimmer of light, spectral energy, I can
capture it. All film translated to digital via Nikon Coolscan or Canonscan
FS 4000 at 16 Bit/4000 Dpi. The digital translation of the film from
this direct emulsion scan technology is superb.
UFO Films is not associated with Getty Images. Contract Terminated 2005
Letters from the UK: 11-27-09
At the moment I am just simply beginning to look into the data you have been compiling and I logged onto ufodc.com
for the first time last night. I know it's a little late to have started my perusal into your work, especially considering that I
first discovered you maybe two or more years ago in the interview you gave to Rob Simone on his revolutionary radio show
(the guy’s a visionary), which I listen to regularly on Resonance FM here in England. That show was repeated again on
Monday night – took me by surprise – and again this morning. I wanted to listen again and record it so I might not miss
any detail, but actually missed it. It was in fact a show that I logged in my mind as being in the top category as I could
tell by the conversation that what you were discussing was uniquely of a very high order; I could tell it was genuine and
full of extremely technical content. Some of this technical aspect I am currently looking at, so it is tremendous that you
are conveying this kind of detail for all to see. (Also referenced: Robert Stanley)
© WG Allen 2004/2008/2009/2010/2011
© VAu000621288 Registered Intellectual Property
Unauthorized Duplication of this Registered Intellectual Property is Prohibited by Law unless indicated by Author © (P) 2004/2009/2010/2011